Featuring Dov S. Zakheim, Senior Advisor, Center for Strategic and International Studies; Mackenzie Eaglen, Resident Fellow at the Marilyn Ware Center for Security Studies, American Enterprise Institute; Todd Harrison, Senior Fellow, Defense Budget Studies, Center for Strategic and Budgetary Assessments; and Christopher A. Preble, Vice President for Defense and Foreign Policy Studies, Cato Institute; moderated by Kate Brannen, Senior Reporter, Foreign Policy.
In the new issue of Regulation, economist Pierre Lemieux argues that the recent oil price decline is at least partly the result of increased supply from the extraction of shale oil. The increased supply allows the economy to produce more goods, which benefits some people, if not all of them. Thus, contrary to some commentary in the press, cheaper oil prices cannot harm the economy as a whole.
Two long wars, chronic deficits, the financial crisis, the costly drug war, the growth of executive power under Presidents Bush and Obama, and the revelations about NSA abuses, have given rise to a growing libertarian movement in our country – with a greater focus on individual liberty and less government power. David Boaz’s newly released The Libertarian Mind is a comprehensive guide to the history, philosophy, and growth of the libertarian movement, with incisive analyses of today’s most pressing issues and policies.
Featuring Paul Cantor, Clifton Waller Barrett Professor of English, University of Virginia, Author, Gilligan Unbound: Pop Culture in the Age of Globalization
Why are libertarian themes suddenly cropping up throughout American pop culture? The popular and irreverent cartoon series South Park has been pursuing a libertarian agenda since its inception in 1997, mercilessly skewering the forces of political correctness in our society. The animated feature The Incredibles—one of the most successful and critically acclaimed films of 2004—celebrates the extraordinary individual in a way that called to mind Ayn Rand for many commentators. And Martin Scorsese’s The Aviator—a film biopic about Howard Hughes—dares to portray a businessman as a hero, a true visionary who risks his own money to build the world of the future while battling a corrupt government in the name of free competition. In these and other developments, Paul Cantor sees a new trend in American pop culture, and analyzes what it means for the future of libertarianism.