Tag: House of Cards

Frank Underwood Wants a Subsidy

House of Cards is a Netflix television series about a powerful, manipulative politician who gets what he wants with little regard for the public good. Here’s an example:

“House of Cards” star Kevin Spacey is booked to appear in Annapolis on Friday night as the fate of a tax credit that has benefited the production of his Netflix series hangs in the balance.

Gerard E. Evans, an Annapolis-based lobbyist for the show, has invited the entire Maryland General Assembly to a local wine bar to meet the two-time Academy Award winner who plays the scheming Vice President Frank Underwood in the series. An invitation describes the event as “an evening of Annapolis, D.C. and Hollywood.”…

The visit is scheduled just a few days after the Senate voted to increase the amount the state can spend next year, to $18.5 million, on a tax credit that rewards movie and television production companies that choose to film in Maryland. “House of Cards” has been the biggest beneficiary in recent years.

The House of Delegates has yet to act on the bill, with about two and a half weeks remaining in this year’s 90-day legislative session in Maryland. Evans said he has been encouraged by recent meetings with House Speaker Michael E. Busch (D-Anne Arundel) and other key delegates.

A few weeks before the second season of “House of Cards” debuted online, the show’s production company sent letters to Busch and Gov. Martin O’Malley (D) making clear they could film elsewhere if the debate over the tax credit didn’t end well.

It’s hard to imagine a better example of rent-seeking, crony capitalism, and conspiracy between the rich, the famous, and the powerful against the unorganized taxpayers. A perfect House of Cards story.

The Tax Foundation has been covering film tax credits in general and the House of Cards saga in particular. The Mackinac Center has been campaigning against Michigan’s film tax credits, and Gov. Rick Snyder has tried to rein in the program. But it’s hard to beat Frank Underwood.

 

This House Does Not Believe in Hope

Happy Valentine’s Day, Washington: Netflix has a present for you. Tonight, you and your significant other can curl up on the couch with Frank and Claire Underwood, D.C.’s favorite backstabbing power couple. House of Cards, Netflix’s ridiculous (yet hard to resist) telenovela, is back. Apparently, many Hill staffers were irate that Netflix didn’t release the show early, for binge-streaming during yesterday’s snow day.

HoC’s story, focused on a Machiavellian congressman’s rise to power, isn’t heavy on verisimiltude. Like many fictional depictions of Washington, it fails to capture “the nation’s capital as the bureaucratic and constipated place that it in fact is,” as Christopher Hitchens once put it. It takes a lot of suspension of disbelief to buy into the show’s vision of a Capitol of cunning and competent schemers.

Still, some of the characterization rings true. Two decades in, this town probably would transform Princess Bride’s pure-hearted “Buttercup” into a vicious social X-ray running a phony environmental think tank. Likewise, my colleagues at Cato’s Center for Educational Freedom will probably appreciate the casting choice that led to former Sopranos hitman Mikey Palmice’s turn as a teacher’s union leader.

And overall, HoC is a major improvement over the last Beltway drama official Washington fell in love with: The West Wing, Aaron Sorkin’s unctuous Valentine to the Heroic Presidency. Sorkin built that show around the concept of an incorruptible president devoted to good works: the unbearably decent Josiah (Jed) Bartlet, a theologian-cum-Nobel laureate in economics, backed up by a staff of the most selfless, high-minded, public-spirited and charming political operators ever devised. It was altogether the throne-sniffingest portrayal of Washington imaginable.

I’ll take HoC’s Beltway Borgias over Sorkin’s Cartoon Camelot any day. As I wrote in the Washington Examiner this week: “At least ‘House of Cards’ is willing to entertain the idea that political animals aren’t angels and that ‘public service’ often deserves the scare quotes.”